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Trinnov Processor D-Mon 8 V0
The Trinnov D-Mon Series is a brand new range of Digital Integrated Monitoring Processors.
Features
•Based on Trinnov Optimizer for acoustic tuning of multiple stereo up to 7.1 speaker sets, with comprehensive functions and processing for advanced monitoring.
•Compliant with Avid control surfaces, including Eucon (S6, S5, S3), and X-Mon Midi (D- Control & D-Command) – Ready to interface with Yamaha, Lawo, Calrec, and many other protocols.
•Offers Full Audio Routing Matrix, User Assignable Functions (Main, Alternate, Cues, Talk-Back, Listen-Back, Headphones, etc.), an 18x16 Internal Mixer, Digital & Analog Inserts, fully assignable Intercom control etc.
•D-Mon|8 (5.1/7.1 studios) : 24 Digital IOs | 8 Analog IOs | 8 Analog High Definition Outputs.
•D-Mon|4 (St./LCRS studios) : 8 Digital IOs | 4 Analog IOs | 8 Analog High Definition Outputs.
Much More Than Just Another Monitor Controller
Monitor control could look very simple to many, but when it comes to managing all the various mixing situations that a sound engineer has to face day after day, you have to provide him with as much power and flexibility as you can. Not only does he have to switch from monitoring 7.1 to a stereo mix without any loss of transient, power response or bandwidth, but also to provide musicians with different foldbacks, communicate with them, and/or run a special sub-group into external gear as an insert or connect, in seconds, the producer’s smartphone to share his latest song, and so on.
The D-Mon Series is specifically designed to combine power, fast-and-easy usage and flexibility:
•The D-Mon|8 provides 16 Digital Inputs (AES), enabling any surround sound engineer, drive not only his main mix but also all feeds (like aux sends, sub-groups or stems) within the best possible resolution and sample rate (up to 192kHz);
•He can also plug an 8-channel digital processor (or a chain of external outboard) as a switchable digital insert thanks to the “Alternate 8-DigIO” and make instant A/B comparisons;
•Any of these inputs can be routed inpidually within a comprehensive Switching Matrix which addresses all possible internal processing and/or direct outputs (analog or digital);
•The D-Mon|8 also comes with 8 Analog Line Inputs able to be assigned as the Main Mix, Cues, Talk-back or just used as external sources to be converted to digital for whatever reason;
•Attached to the Switching Matrix is a 16x16 Summing Matrix which can be fed with any of the signals available, whether analog or digital: in any number of combinations to build up a mix of stems, a sum of aux’s with sub-groups or a downmix,… it’s just infinite !
•To route all possibilities out of the D-Mon, the user can select any of the 8 Analog Line Outputs (like running 4 mix’s for headphones), the 16 Digital Outputs (AES), not counting the 8 Optimizer Dedicated Outputs which normally go to the analog loudspeakers’ (or it could be digital!).
•A special “Functionalities Matrix” helps the user to allocate any of the 8 possible Cues to any output or group of the physical inputs or the summing buses available, and to assign which of them is feeding the Main Mix or Alternate Mix. Thus any input can be the Talk-Back or Listen-
•Back and so on!
•Multi-Purpose IOs (MPIO) are handled by a Sub-D 25pin connector which combines point-to-point D-Command & D-Control, control cable with (Midi, Talk-Back, Listen-Back,
•Headphones) with GPIOs and one LTC input. Of course the system can receive and transmit word-clock on BNC connectors.
•The Eucon Protocol is supported and connects directly to the DAW where a dedicated D-Mon Control Panel is installed as an application on Windows or Mac OS.
•The D-Mon|8 can also run as a stand-alone unit without the need for the DAW or console and can be directly controlled and setup by simply attaching a screen, mouse and keyboard and soon from any wifi remote tablet/smartphone/computer.
•Whether you mix your production in stereo or a surround sound, you’ll benefit from the same amazing OPTIMIZER® features, which can tune up any set of loudspeakers to the perfect acoustic pitch for any given mixing room. This makes the D-Mon Series the world’s first Digital Integrated Monitoring Processor that gives the sound engineer the certainty that his mix will translate on any sound system.
•For those interested in running up to 192kHz, and/or metering and processing to the Loudness standard (up to 7.1), there’s the option to host the Smart-Meter® features, including the unique Time-Code Aware tracking, its unbeatable archiving and traceability system by choosing the D-Mon|8S.
